The White Balloon (1995) is Jafar Panahi’s first feature film, with a screenplay by the better-known and celebrated director Abbas Kiarostami. The White Balloon (Persian: بادکنک سفيد‎, Badkonake sefid) is a 1995 Iranian film directed by Jafar Panahi, with a screenplay by Abbas Kiarostami. That's when Reza's ... See full summary ». When he can't, he tries a new way to "win" a new pair. Written by Looking for some great streaming picks?

The film ends, not with Ali and Razieh, but with the young Afghan boy, who has become an important character only at the very end of the film. Her mother gives her the family's last 500-toman banknote and asks her to bring back the change. The Guardianhas listed this film as one of the 50 best family films of all time. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, List of submissions to the 68th Academy Awards for Best Foreign Language Film, List of Iranian submissions for the Academy Award for Best Foreign Language Film, "41 to Compete for Foreign Language Oscar Nominations", "Iran Requests Academy Not to Consider Its Film Entry", https://en.wikipedia.org/w/index.php?title=The_White_Balloon&oldid=958319338, Articles containing Persian-language text, Creative Commons Attribution-ShareAlike License, This page was last edited on 23 May 2020, at 03:50. You must be a registered user to use the IMDb rating plugin. Razieh’s compounding difficulties in reaching her goldfish bring her into contact with a range of Tehran’s permanent and transient residents, providing Panahi the opportunity to show Tehran in all its strangeness and dynamism.

Not exactly, that's just another level of deception.As it comes to the end, we realize the remarkable wholeness of this movie: a close space, just a couple of streets, a very short period of time, just a couple of hours, just a few personages, confined to this small space and time. After a boy loses his sister's pair of shoes, he goes on a series of adventures in order to find them. The White Balloon Back home, Razieh is upset about her mother's refusal to let her buy a new goldfish, but continues her campaign of nagging. She is greedy, cunning, desperate, spoiled. The story of Mohammed, a blind Iranian boy and his father, Hashem, who is always oscillating between accepting his son as he is and abandoning him, as he represents a burden for him, after the loss of his wife. The film was selected as the Iranian entry for the Best Foreign Language Film at the 68th Academy Awards, but was not accepted as a nominee. The White Balloon unfolds during the countdown to the New Year. At the same time, the film provides subtle social commentary, a feature that becomes overt in his later films. The story starts with a childish play of a brother and sister, then continues in huge developments.

Keep track of everything you watch; tell your friends. But the boy does not budge, raising the question of what kind of home life – if any – he has.

That's why we love them.Is it then a nice comedy about a cute girl who desires a goldfish? In the course of Razieh’s misadventures, Panahi reveals the diversity of Tehran and ultimately tells a touching tale about human connections in a big city. He complains that he asked Ali to buy shampoo, not soap, then throws the soap at him. Razieh wants to see what is happening but her mother pulls her daughter away, telling her that it is not good for her to watch these things.

Want to share IMDb's rating on your own site? Razieh sets off with an empty glass jar to the fish shop a few blocks away. Theatrical Run After Kino Lorber Strikes Deal. Niaz grows like a grain and blossoms.

It is the Afghan boy who obtains chewing gum for the kids, which they adhere to the bottom of the stick holding his balloon and successfully retrieve the money. [1] The film is on the BFI list of the 50 films you should see by the age of 14. Ali sets off to buy the shampoo and when he returns Razieh enlists his help in changing her mother's mind about the goldfish, bribing him with a balloon. Synopsis Several people try to take advantage of a little girl’s innocence to hustle money her mom gave to her to buy a goldfish with. In the mid-to-late 1990s, Iran began to be recognized as a refreshing source of low-budget, wryly naturalistic filmmaking, and Jafar Panahi's The White Balloon (winner of the Camera d'Or award at the 1995 Cannes Film Festival) was the first Iranian film to get a U.S. art-house release. Funded by Iranian sources, including the Islamic Republic of Iran’s Broadcasting Channel 2, the film was screened inside Iran but found its most enthusiastic audience abroad. Simple and spare yet filled with observant detail, it's a mild, beguiling movie about a 7-year-old girl's tenacious quest to buy a … Following the 1979 Revolution and the eight-year war with Iraq that began within a year, the film industry suffered along with other sectors of Iranian society.1 With a few exceptions, such as Nader’s The Runner (1986), Beizai’s Bashu, the Little Stranger (1989), and Kiarostami’s Where is the Friend’s House (1987) and Close-Up (1990), the cinema of 1980s Iran was largely unremarkable.